It took me a while to get a handle on David Korten and his "Great Turning" notion. I was assigned to cover his talk at the UU General Assembly in Portland, so I read his book
The Great Turning: From Empire to Earth Community. As I said in my
Portland, Ho! entry, the book pushed a lot of my buttons, so I had to work through that before I could cover his talk with any objectivity. My view of my role as journalist made that all the more important: I was working for the UUA web site, and the UUA was essentially Korten's host. I don't think that would have obligated me to whitewash what he said, but I do think it obligated me to give him every chance to get his points across. I believe I managed to do that in
my account of his presentation.
Part of my problem was nothing personal about Korten, but is something that comes up whenever I read anti-corporate, anti-globalist authors. I share a lot of their conclusions, but for some reason our minds work differently, so that I have trouble pulling any testable hypotheses out of their big theories. So their writings seem to me to have a vaporous quality. They belabor points that seem obvious to me, while ignoring other questions that seem more fundamental. (Probably they think the same things about my writing, if they notice it.)
Anyway, the Great Turning is one of the biggest theories imaginable. It says that human civilization took a wrong turn five thousand years ago and chose to emphasize dominance over cooperation. A whole host of problems is leading to our final realization of the unsustainability of that choice, so that now we have to turn away from dominance and back towards cooperation. It ties together a bunch of ideas of varying degrees of acceptance, from more-or-less established theories like global warming to controversial ones like peak oil, the prehistoric matriarchy, intelligent design, a hierarchical theory of spiritual maturity, framing, and several others that may have slipped my mind.
Now, I love big theories. When postmodernists deride them as "master narratives" I reply: "You say that as if it were a bad thing." My notes these days are full of preparations to write something about how changes in media have influenced the history of religious thought, which certainly qualifies as a big, speculative theory. (You can see the beginning of that theory in my piece from last summer about the
relationship between ritual and the preverbal mindset.) But I can't make sense of such a theory until I've answered these questions: Why are we doing this? What questions motivated this whole construction? What parts of the theory are really central, and which ones did we fill in later to patch the holes?
Eventually I came up with answers that satisfied me. Korten started out writing about corporations and globalization in books like
When Corporations Rule the World. His arguments then were comparatively present-centered: Corporations are legal abominations that are obligated to seek profit at the expense of every other human value; free-trade agreements are ways for corporations to establish their agenda as paramount and to override or preempt any democratic attempt to favor non-corporate values; poor nations and poor communities are not going to be able to advance until they are able to pursue their own interests democratically rather than being dominated by foreign corporations.
So far, so good. I can translate all this into stuff that makes sense to me.
Then 9/11 happened, and suddenly the anti-corporate arguments seemed wholly inadequate to the challenge. Bush's anti-terrorist agenda swept away everything in its path, and while it seemed intimately connected to the corporate agenda, its arguments hit people on some whole other level. People who ought to have known better started repeating its slogans.
That's when Korten realized he needed a bigger theory, something that would explain not just why corporations and governments were doing things, but why those things garnered the enthusiastic support of ordinary people. That led him to the opposing visions of Empire and Earth Community. ("Empire" is Korten's re-labeling of the feminist "Patriarchy", which I think is a good change. It reminds me of Philip Dick's novel
VALIS and its enigmatic line "The Empire never ended.")
These visions could stand on their own in the present, but Korten finds them more compelling if they're attached to a historical big theory, which is where the prehistoric matriarchy and the five-thousand-years-of-Empire come in. I don't find either of these theories all that convincing, so I'm happy to discover that they're separable from the rest.
Then he needs an argument that Empire is heading towards a crack-up. This is where global warming, peak oil, the coming collapse of the dollar, etc. come in. Some of these supporting theories are a whole lot more convincing than the others, so it's important to realize that you just need
something in this slot. If you happen to believe that there's a whole lot more oil in the ground than pessimists think, or have an argument that explains why the trade deficit is not such a big deal, that doesn't torpedo the whole Great Turning.
Finally, the Great Turning comes with an action plan, and that plan starts with changing popular worldviews by changing the stories we tell. He doesn't use the term "framing", but that's what it is. Lakoff did it better in
Moral Politics. Korten identifies three big stories (i.e. frames) that need to be changed from an Empire version to an Earth Community version: the prosperity story, the security story, and the meaning story. In each case, I found that the Empire version was too much of a caricature and the Earth Community story wasn't compelling. But this is fixable. I think I can write better Earth Community stories, and maybe I will. I don't think Korten would mind.
Korten's section on meaning stories is really awful. He identifies meaning stories with creation stories and gives two parallel Empire versions: the Calvinist God-made-the-rich story and the Darwinist everything-is-meaningless story. His Earth Community meaning story is basically intelligent design with a Dancing-Wu-Li-Masters, bad-quantum-mechanics twist. (The closest I got to snark in my account of his talk at GA was to note that the room went dead silent during this segment.) There's room for a much better liberal religious, meaning-is-what-we-make-it story.
So anyway, this is the scaffolding that I needed to construct around
The Great Turning. If you've had as much trouble with it as I did, I hope this helps.